Gallery Visits with Year 5

These recycled sculptures lead us into a discussion of sustainability and the environment, key concepts within the Green Lens philosophy.



One of three groups that came to the gallery each day before preparing for the parade back at school...


Patiently lining up to see the exciting installation GUNSMOKE...

Studio Shoot with William Edward Head

Mosad I.I 2011








































Mossad I.II 2011




















Frogman 2011 (Acquired)




















The Diligent Detective (Tribute to the late Louise Bourgeois) 2011 (Acquired)




















Surfin' USA 2011 (Acquired)




















Goya Tree 2011




















, The Son, 2011




















Slow Coach 2011




















Dr Strangelove 2011 (Acquired)




















Twins 2010 (Acquired)




















The Revolutionary 2011




















Guide 2011

Gunsmoke

Cast clay figures of cowboys and indians are illuminated by a toy train set in a moving spectacle of shadows.





































The Political Philosopher Leo Strauss was a great fan of the Cowboy TV series Gunsmoke. 

"He felt it had a salutary effect on the American People..."
- Professor Stanley Rosen, pupil of Leo Strauss, 1949
- The Power of Nightmares, Adam Curtis

The Green Lens Gallery

Exhibition Opening

Two Friends, by Charlie Yetton, 2011

Two Friends

I called them ‘Two Friends’, he called them ‘The Twins’, he called it ‘Slowcoach’, I called it ‘The Snail’, I called it ‘The Hero’, he called it ‘The Revolutionary’. Letters flew hurriedly back and forth. I drew circles on scraps of paper as I waited for the latest updates, another small packet of photos for analysis and close inspection… I couldn’t let go of one heading, ‘Two Friends’.

Returning to the photograph of ‘The Twins’ I noticed the taller twin held the shorter, dumpier twins severed left leg in his right hand. I noticed it wasn’t all of his leg, being severed around the upper thigh and the part held by his twin was only the foot to the knee. Also it was the wrong colour, possibly a blind alley. I hadn’t noticed this aspect before, focusing more on my feeling that they were friends. One was wounded but happy. They seemed like two soldiers back from war, or peasants at a railway station waving goodbye and at the same time waiting. They are inextricably joined and bonded together. The taller bears the weight of the shorter; they have similar jumpers and different hats. They are benign and seem to be waving but don’t.

Like peasants and soldiers they live outside of time, but in the absolute present and in that second they are animated. They live in the quietness of villages connected by streams and the rushing winds. They wait at the railway station, not for a train and transport, but it seems in the anticipation that by waiting and observing the world, some small opportunity will arise.

Charlie Yetton 2011

Poster

SCULET & GUNSMOKE

Hosted by Green Lens Studios and Gallery
4a Attebury Rd N4 1SF

Open Daily Between 12 - 5pm Over
2nd - 6th April Opening 1.4.11 6 - 9pm

With special thanks to
The Institute Arts Centre

Press

SCULET & GUNSMOKE
Dispossessed and Borrowed Forms





















Alex Head at the Green Lens Studio/Gallery

A sculptural exhibition of shifting identities, found objects and cinematic experience, Alex Head presents clay models orphaned by their creators - a collection of re-worked, re-fired and re-framed misfits. Abandoned sculptures are referred to by the artist as Sculets, a term originally used by his father to describe a neglected item of cutlery found at the bottom of the kitchen sink.

Drawing on the radiant mystery of first encounters this imaginative space is fed by a world of shadows and make-believe born from the zoetropic installation Gunsmoke.

Driven by his fascination with the concept of identity the artist asserts that one's sense of self must naturally shift and morph in order to survive changing situations and expectations. It is therefore his belief that misidentification is the inevitable consequence of this ever evolving, increasingly virtual sphere, where contradiction, false signifiers, adaptation and irony become fair game in the all consuming, all producing city of London.

Masks mirrors, abandoned personalities, characters illuminated in shadow, all conspire to deceive us while each plays their part in the public conceit of fixed individual identities. The paradox of individual identity remains as the other plays a crucial role in the formulation of the self if only in an opposing sense, for without the experience of otherness where would we begin to define ourselves?

This will be the first solo show to emerge from an artistic practice that has been characterised over the past three years by group activity, events and workshops. It also marks a final show in the UK before emigration to live in Berlin, Germany.

SCULET & GUNSMOKE has been partially funded by the online arts group Number 1 Mate, providing small grants for North London artist-activists.





The artist would like to thank The Institute Arts Centre for support in this project.

Artist Bio

Alex Robert Head

Graduated 2006 - Glasgow School of Art, Fine Art

Lives/Works London, Berlin, Lanzarote

Statement

The pursuit of a collective sub-consciousness is pursued through by investigation into national flags, functional signage and corporate logos, forming the driving force behind public installations, workshops and published writing. As an emerging artist working primarily in the field of public installation and intervention my ambition to engage with multiple audiences has developed into a body of work operating under the title of Micro Communities Art.

Micro Communities Art

Micro Communities Art is an evolving practice working with small groups of individuals to discuss commonalities and the complexity of human identity. Here the artist takes the role of facilitator creating scenarios for participants to enter into and meet one another. In this way the art form draws on both the broad history of Conceptual Art (in which the viewer steps-in to complete an artwork), and Public Art discourse (characterised by a direct engagement between the artist and audience). Micro Communities Art is a series of activities such as art workshops, installations and other events that often revolve around the production of site-specific flags.

As a largely voluntary practice, the Micro Communities Artist makes an important distinction between creatively responding to global re-localization (made inevitable by dwindling oil reserves), and the patronizing rhetoric of Tory millionaires waxing lyrical about developing and strengthening communities. His involvement with the Transition Town Movement – brought about to facilitate the shift from a high to low-carbon society, reflects this concern.

Exhibitions/Events

2011 – Sounds of the Surround – One-week Arts course on Lanzarote with Art Aspects

2011 – The Parakeet Parade – Workshops leading to public parade in Finsbury Park area

2011 – SCULET & GUNSMOKE – Sculptural exhibition, The Green Lens Studio/Gallery

2011 – Circuit – Exhibition of four flags

2011 – OBRA – Flag commissioned by Arte De Obra

2010 – Absorb Arts, Open Studio - From Ignorance to Bliss remade for the gallery

2010 – Residency at Arte De Obra, Haria, Lanzarote

2010 – From Ignorance to Bliss – Outdoor walk-through Installation coordinated with Well Oiled Festival

2010 – Well Oiled Festival – Project Organiser, see Projects below

2010 – PAUSA – Flag commissioned by Art Aspects for exhibition at closing show of The Foreign and Me

2010 – Visiting Artist to the Art Aspects Seminar The Foreign and Me

2010 – Yetimen - Talismanic Figures - Installed in the Skoda Yeti

2010 – Ceremonial Handkerchief of the Exotic Tourist – Flag commissioned by Tate Modern

2010 – Twenty For Harper Rd – Flag Making Workshop at the first off-site project of Tate Modern's youth program, Raw Canvas.

2010 – Live Semaphore Event – site specific conversation with participants of the 6 week project Signs, Symbols & Sewing

2010 – Signs, Symbols & Sewing – 6 Week Course at The Institute Art Centre

2009 – Ongoing, You Don’t Need A Weather Man To Know Which Way The Wind Blows Flag Installed at Absorb Studios, Dalston, London

2009 – Absorb Open Studio, Dalston, London

2009 – Flag making workshop at Stroud Green Primary Summer Fair

2009 – Encarta, Limazulu Space, Manor House, London

2009 – Flag making workshop, Jamboree Project, Finsbury Park Youth Centre, London

2009 – Leftovers, 118 Gallery Notting Hill, London

2008/09 – Flag making workshops, Absorb Studios, Dalston, London

2008 – Absorb Studios Open Studio Week, Dalston, London

2008 – Dada’s Jerk Chicken, Finsbury Park, London

2007 – Drawing/Disegni, Perso Camera Space, Florence, Italy

2006 – Braille, Raised, Installation in the Mackintosh Building, Glasgow School of Art Degree Show

2006 – Zone 3712, Pollockshaws, Glasgow

2005 – Gunsmoke, The Attic, Glasgow

2005 – Cursory, The Barnes Space, Glasgow

2004 – Loose Change, Temp Space, Glasgow

2002 – Foundation exhibition, Chelsea School of Art

Projects

The Parakeet Parade Thursday 7^th April 2011

The Parakeet Parade will involve groups from the local area including 40 young pupils from Stroud Green Primary School. Activities acting as an extension of SCULET & GUNSMOKE such as gallery visits followed by Parakeet Mask and Flag making workshops will be held over the 4^th, 5^th, and 6^th of April. The fruits of these workshops will be displayed as the parade lights up the Finsbury Park area

Well Oiled Festival 11^th September 2010

Collaboration with The Transition Network - Well Oiled Festival explored our creative and practical potential in the face of adverse climate and energy scenarios. This year's event delivered an array of activities which brought together families, friends, estranged Finsbury-parkers, the Castle Climbing Centre, the guys from Pedal Power, Green Lens Photographic Studios, Finsbury Park Drummers, The Handweavers' Studio, Transition Highbury, Transition Crouch End, Highgate Climate Action Network, artists, weavers and urban healers!

Flag Trail Weekend 26 – 28^th June 2009 (Ongoing) Self initiated project/event.

Flag-making, flying and discussion involving Stroud Green Primary School, Dada’s Jerk Chicken and Absorb Open Studios. An offsite space adjacent to Absorb Studios presented an exhibition of the process behind the work You Don’t Need A Weather Man To Know Which Way The Wind Blows. These events coincided with Stroud Green Primary’s Summer Fair and the Summer Absorb Open Studios.

Flag Making Workshop April 2009.

Self initiated Workshop, Jamboree Youth Centre, Finsbury Park.

Parents and carers were encouraged to bring young people of all ages to take part in a session of learning and improvisation. Roughly 20 participants between the ages of 2 and 46yrs enjoyed designing and making flags.

Dada’s Jerk Chicken April 2008 – ongoing. Self initiated project.

A series of flags based on internationally recognisable icons are flown atop Dada’s Jerk Chicken stand, Finsbury Park. The project has been realised through the production of a permanent flag made by the artist, in exchange for the space of exhibition.

Zone 3712 - March 2006.

A collaborative project between Charlie Yetton, Alex Head and Gabriel Birch, which took place in Pollokshaws, Glasgow. Following several weeks of door-to-door discussion we made work in and around the area that we felt reflected its culturally dislocated nature due to the housing projects provided for different asylum seekers. The group used the steel cabin provided by cabinexchange to create a wild garden of exotic plants borrowed from the Botanical gardens. The Garden served as a central point from which to guide people to works made on site. Informal discussion took the form of a leisurely stroll around a space that was both familiar and altered for the community. We enjoyed positive feedback from all those who came down or passed through the site.

Reading Exercises 2006 – Present

For four years I have organised and run short day-long projects structured around the sharing of information and critique. These Reading Exercises continue to provide an opportunity for individual artists’ research to be applied in bursts of creativity followed by feedback from the group. Volumes of research are published periodically as documentation of these projects.

Please visit ALEXHEAD.COM